Wall Street (1987)
Most people are familiar with the quote “Greed is good.” Once again, New York is the scene of office drama—this time behind the closed doors of the financial world. The young, hot-headed stockbroker Bud Fox (Charlie Sheen) is ready to do anything to claw his way to the top. His mentor is the legendary, uncompromising Gordon Gekko (Michael Douglas). We soon see that what happens behind the closed doors of the financial world is not within the framework of the law—and the high-stakes game soon becomes life-or-death.
Wall Street reflected the money-hungry 1980s and established the image of Wall Street as the mecca of ultra-capitalism, full of greedy, uncompromising villains in suits, making their riches off hard-working everyday people.
The Devil Wears Prada (1996)
Here, too, we are taken to the city of corporate ladder climbing and sharp elbows, New York. “Andy” (Anne Hathaway) wants to be a journalist at the market-leading magazine Runway (read: Vogue). She gets a step closer to her goal when she becomes an assistant to the immortal editor Miranda Priestley (Meryl Streep), who turns out to be the devil herself, demanding 100% service every hour of the day. This results in Andy sacrificing love and friendship for the job—but is it worth it?
The movie was an eye-opener for many, and created discussions about leadership, toxic workplaces and unhealthy working conditions.
The Office UK (2001)
”I suppose I’ve created an atmosphere where I’m a friend first and boss second. Probably an entertainer third.” Is the series’ main character David Brent, masterfully portrayed by Ricky Gervais, the world’s worst or best boss? If you ask him, the answer is unequivocally the best. This cult mockumentary (fictional documentary) series takes place in a dull, grey suburban office in Slough outside London, and deals with everything from forbidden love between colleagues to a tactless boss who fires employees as a joke. The Office changed the entire genre of comedy series, demonstrating that it was at least as funny, if not more, without obvious jokes, laugh tracks or a studio audience.